Durrie weaving: loom, pattern and work
Explore the flat woven surface of a Punjabi durrie, from coloured wefts packed with a panja to different loom arrangements for bed and floor coverings.
Culture · A guide to the archive
Bring materials, makers and work into view through six sourced accounts of making and learning.
Choose a particular process and follow its evidence. Ask who carried out the work, which materials the account identifies and whether it describes observed practice or a proposed course. Read an artisan interview beside a technical description without treating them as interchangeable. The readings support comparison of skill, tools, products and working arrangements, while preserving the scope and date of each source.
An intentional selection
Explore the flat woven surface of a Punjabi durrie, from coloured wefts packed with a panja to different loom arrangements for bed and floor coverings.
Spinning makes yarn and weaving makes cloth. Follow these separate stages through institutional definitions and documented Punjabi production accounts.
At Multan’s blue-pottery institute, a 2016 programme proposed design and Kashigiri courses, materials trials and support for participating artisans.
Chiniot furniture takes shape through timber selection, workshop cutting, brass detailing and assembly, as documented in a local workshop study.
At Jandiala Guru, heated metal is shaped, hammered and finished by hand. Follow how this work gives brass and copper vessels their form and surface.
A charpai combines a joined frame with a tensioned woven surface. Explore the woodworking, rope choices and repairable structure behind this Punjabi bed.
How we use sources, explain uncertainty and correct mistakes.
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