Punjabi theatre history
Gunjeet Aurora’s study of Fida examines how absence, bodies and material surroundings communicate on stage, extending theatre history beyond written dialogue.
Culture in everyday life
Textiles, performance, food and literature as living, changing traditions.
150 sourced entries · alphabetical directory · page 7 of 9
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Gunjeet Aurora’s study of Fida examines how absence, bodies and material surroundings communicate on stage, extending theatre history beyond written dialogue.
Explore Punjabi turban traditions through a dated Multan description, a painting and a collector’s account of practical, personal and religious variation.
A historical district account, an Amritsar restaurant, Sikh scholarship and a modern survey show why vegetarian food needs more than one explanation.
A village exchange study, a small family wedding and a particular Namdhari ceremony show varied ways Punjabi weddings organise work, scale and participation.
Explore Punjabi wedding songs through ceremony settings, a selected Bhakkar field study and a commercial collection, retaining each source’s local scope.
Akshaya Kumar’s reading of Atamjit’s Pooran asks whether a modern setting gives its central character autonomy, offering one view of a changing tradition.
Follow Punjabi radio music through an archive initiative, an identified recording catalogue and a community library, with dates and inspection limits clear.
Laila Rahman’s CV links a Rasalu illustration project with exhibitions in Lahore and Islamabad, documenting one modern visual afterlife of the stories.
Family testimony, cream-finished masala and a version without onion or garlic show how kidney beans become different meals under the shared name rajma.
A jaggery-based recipe, a Chakwal shopfront and documented Lohri gatherings show rewari as both a worked sesame sweet and a food exchanged in public and family settings.
Named owners and managers describe links from Punjab to Murthal, expanded highway menus and urban dhabas in Amritsar.
Explore Sainchi phulkari through two museum examples, attending to embroidered figures, patterned surfaces and the limits of interpreting unnamed makers.
Explore salwar kameez in Punjab through garment construction, gathered trousers and changing tunic details, with attention to regional variation and use.
Sammi’s circular singing, regional variation and modern teaching projects need to be read in their particular settings.
Start with a small sarangi made in Ludhiana district, then explore ensemble playing and the instrument family’s varied shapes.
Compare a museum example described as Punjabi in style with scholarly classification and another late nineteenth-century sarinda.
Compare three documented preparations of Punjabi mustard greens, from a chef’s mixed-leaf recipe to adaptations for ingredients available outside Punjab.
Persian, Sindhi and Punjabi tellings and an English publication place Sassi’s reception across literary languages, rather than within a single region.
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